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Theory Test Guidelines

All levels are CUMULATIVE.

Only NEW material is listed for each level.

A proctor will be available to administer the test orally if required.

A PASSING SCORE is 80 points. (100 points are possible for each level.)



PREPARATORY LEVEL

*Music alphabet (Letter names all CAPITALS)

*Identify Whole note, Dotted Half note, Half note, and Quarter note

*Count values for each kind of note

*Write counting numbers (consecutive numbering) for measures of 4/4, 3/4, and 2/4 Time

*Compare two notes on a staff to identify which one will sound lower or higher

*Match symbols and terms for Clef Signs, staff, note values, p (piano), and f (forte)

*Last page will be instrument specific to include naming lines and space notes for positions at Preparatory study level (i.e. Mallet Percussion and Guitar will only have Treble Clef.)



LEVEL 1

*Identify Key Signatures for C, G, and F Major

*Identify Whole rests, Half rests, and Quarter rests (matching values)  

*Add counting values for Whole, Half, and Quarter rests

*Identify eighth notes in pairs with beams

*Identify Common Time signature and write in counting numbers (no eighth notes)

*Identify symbols and terms for mp, mf, C, slur, tie, sharp, flat, natural sign, legato, staccato, adagio, and allegro

*Draw the Clef sign of the student’s choice (to match instrument) on a staff

*Draw Whole notes on that staff for key names given


LEVEL 2

*Identify Major and Relative minor Key Signatures for C Major and A minor

*Identify a C Chromatic scale (multiple choice question)

*Write in counting numbers and Bar Lines for 4/4, 3/4, 2/4 and C Time Signatures using all note and rest values from previous levels

*Identify eighth rests

*Identify descriptions for interval and accidental sign

*Identify intervals of  2nd, 3rd, 4th, and 5th .

*Draw Whole notes and Half notes on the staff of the student’s choice (including drawing the Clef sign) – stem placement counts on half notes

*Draw and name Whole notes in Middle C leger line and space (either below the Treble Clef staff OR above the Bass Clef staff, as selected by student)  


LEVEL 3

*Identify intervals of 2nd, 3rd, 4th, & 5th with tonality (Major (M), Minor (m), or Perfect (P)) in the Key of C Major

*Identify Key Signatures for D Major and B flat Major

*Identify Major and Relative minor Key Signatures for G Major/E minor and F Major/D minor

*Identify Time Signatures for 3/8, 6/8, 5/4, and 6/4

*Identify Dotted Quarter note and Dotted Quarter rest

*Write in counting numbers for 2/4, 3/4, and 4/4, which include eighth notes beamed, single eighth notes with flags, and eighth rests using the “+” sign for half-beats (1+2+3+, etc.)

*Name notes with Accidental Signs on the Treble Clef staff

*Note equivalents - 4 quarter notes = 1 whole note, etc.

*Identify symbols and terms for pp, ff, andante, moderato, accents, fermata, and section repeat signs

 *Draw Quarter notes, Quarter rests, and Half rests on the staff to complete measures of 2/4, 3/4, 4/4, and C Time signatures – accurate placement of notes, stems, and rests are required


LEVEL 4

*Identify intervals with Tonality (Prime, Major 2nd, Major 3rd, Perfect 4th, and Perfect 5th

*Identify Major and Relative minor Key Signatures for D Major/B minor, A Major/ F# minor, and B flat Major/G minor

*Construct Major scales (Diatonic) in Keys of C, G, D, F and B flat (follow whole and half step pattern by letter names)

*Draw 2 leger lines (either below the Treble Clef staff OR above the Bass Clef staff, as selected by student)

*Draw Half notes in each of the leger lines and spaces and identify the letter names – stem placement counts on half notes

*Identify sixteenth notes with beams and flags, sixteenth rests, and eighth note triplets

*Draw note and rest rhythm equivalents including extension dots (Dotted Half Note, Dotted Half Rest, Dotted Quarter Note and Dotted Quarter Rest)

*Write in counting numbers and add Bar Lines for any Time Signature from all previous levels

*Identify symbols and terms for crescendo, diminuendo, D. C. al fine, animato, a tempo, and rit. (ritardando)



LEVEL 5

*Identify Major and Relative minor Key Signatures for E Major/C# minor, E flat Major/C minor, and

A flat Major/F minor (include all Relative Major and Minor key signatures from all previous levels)

*Construct Harmonic minor scales in Keys of A minor, E minor, B minor, D minor, and G minor (diagrammed  by letter names)

*Draw Major Scales on the staff (including the Key Signature) for C, G, D, A, F, B flat, and E flat – one octave ascending only in 4/4 meter using quarter notes – sign and stem placement counts

*Draw 2 leger lines (either above the Treble Clef staff OR below the Bass Clef staff, as selected by student)

*Draw Half notes in each of the leger lines and spaces and identify the letter names – stem placement counts on half notes

*Write in counting numbers for any Time Signature from all previous levels (include all note and rest values from previous levels)

*Identify symbols and terms for D. S. al Fine, accelerando, and chromatic

*Identify intervals with number Name (Prime through 6th) and Tonality (Major, minor, and Perfect) in Keys of C, G, D, F and B flat Major



LEVEL 6

*Identify Major and Relative minor Key Signatures through 5 sharps and 5 flats

*Draw any of the above scales (including the Key Signature) – one octave ascending and descending in 4/4 meter using quarter notes – sign and stem placement counts

*Identify scale “pattern” names:  Chromatic, Whole Tone, Harmonic Minor and Melodic Minor

*Identify intervals with number Name (Prime through 7th) and Tonality (Major, minor, Perfect, augmented, and diminished) in any of the Major scales from Level 5 (C, G, D, A, F, B flat and E flat)

*Draw and name leger notes through 2 lines above Treble Clef staff (and below Bass Clef staff for specific instruments)

*Write in counting numbers for any Time Signature from all previous levels (including sixteenth notes and rests)

*Draw notes and rests on the staff to complete measures in any Time Signature from Levels 1 through 5 – accurate placement of notes, stems, and rests are required

*Identify Time Signatures for 9/8 and 12/8 meter

*Identify Dotted eighth note and Dotted eighth rest

*Identify symbols and terms for presto, lento, leggiero, con grazia, pesante, giocoso, dolente, tacet, and sostenuto



LEVEL 7

*Write Key Signatures for all Major Scales through 6 sharps and 6 flats – placement must be accurate

*Identify the Relative minor Scale name for any of the above keys

*Draw the Relative Harmonic Minor Scale for any of the above keys (including the Key Signature) – one octave ascending and descending in 4/4 meter using quarter notes – sign and stem placement counts

*Construct harmonic intervals based on a Major Scale (Prime through Octave)

*Identify names for scale degrees (tonic, super tonic, mediant, etc.)

*Draw and name leger notes through 3 lines above Treble Clef staff (and below Bass Clef staff for specific instruments)

*Identify symbols and terms for tritone, largo, prestissimo, con moto, con brio, vivace, 8va and 8vb

*Identify modal scale names: Ionian, Dorian, Phyrgian, Lydian, Mixolydian, Aeolian, and Locrian

*Compose a “rhythm” line in any Time Signature from previous levels using notes and rests – placement counts

 

LEVEL 8

*Identify Major and Relative minor Key Signatures through 7 sharps and 7 flats

*Draw any of the above Major or Relative Harmonic minor scales (including the Key Signature) – one octave ascending and descending in 4/4 meter using quarter notes –sign and stem placement counts

*Harmonize a major scale by drawing a triad on each scale degree

*Draw one rest equivalent to a given rhythm pattern of notes

*Add dotted eighth notes and eighth note triplets into rhythm construction

*Identify symbols and terms for portato, molto, loco, tranquillo, subito, pentatonic (major) scale, coda, 1st and 2nd endings, and Alla Breve symbol


LEVEL 9


*Draw any Major or Relative Minor Key Signature – sign placement counts

*Draw any Major or Relative Harmonic Minor Scale (including the Key Signature) – one octave ascending and descending in 4/4 meter using quarter notes – sign and stem placement counts

*Identify any harmonic interval with number Name and Tonality

*Identify and draw any Major Triad (from a chord symbol) in root and inversion positions

*Complete a Circle of Fifths by drawing in ALL Key Signatures – Major and Relative Minor (including enharmonic keys)

*Add triplet rhythm counting in 9/8 and 12/8 meters

*Identify note values for Whole note, Half note, Quarter note, and corresponding rests in the following time signatures: Cut time (2/2), 3/2, 4/2

*Identify symbols and terms for sempre, dolce, cantabile, con, senza, marcato, rubato, quasi, agitato, allargando, morendo, and poco a poco


LEVEL 10

*Draw any minor scale in Harmonic and Melodic forms(including the Key Signature) – one octave ascending and descending in 4/4 meter using quarter notes – sign and stem placement counts

*Draw any Major scale and its Parallel Minor scale (including the Key Signature) – one octave ascending and descending in 4/4 meter using quarter notes – sign and stem placement counts

*Harmonize any Major scale in ascending progression

*Identify and draw any Seventh Chord (Major, minor, etc.) from a given chord symbol in root and inversion positions

*Add note values for 32nd and 64th notes

*Write in counting numbers for any Time Signature from all previous levels, including measures of Cut Time (2/2)

*Compose a short rhythm solo using all given rhythm elements

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History

1900

A small group of musicians had a vision: create an organization to serve the interests of music and of the fretted instruments they loved so well -- Banjos, Mandolins and Guitars.

1901

Vision becomes a reality with the formation in Boston, MA of The American Guild of Banjoist, Mandolinist, and Guitarists. I.H. Odell elected the organization's first President.

1902

First convention held in Boston led by Convention Manager Walter Jacobs. Focus on programs and the issues of fretted instrument musicians and the advancement of music and teaching..

1923

The membership has grown rapidly across the US and Canada. The convention is held in Washington, DC and invited to perform at the White House – establishing the status as an elite group.

1933

Students are officially invited to join as associate members and participate actively – and the student competition was born. Competitions grew rapidly.

1951

Accordions are added to the list of approved instruments – and the organization begins to move beyond only the fretted instruments.

1953

With the rapid growth of members playing non-fretted instruments, the organization is renamed to the more inclusive "American Guild of Music". This was not popular with some folks who wanted to stay with original mission and Board meetings were focused on this one issue for the next few years.

1957

Some of the original stalwarts of "fretted only" musicians break off and become a separate organization "Fretted Instrument Guild of America (FIGA)". With their departure, it allowed AGM to evolve into the organization it is today.

1960's

During this decade under the directorship of Billy Steed, AGM was strong with approximately equal members of accordion and guitar players. At the end of the decade, Guitar overtakes the accordion as the instrument of members, thanks to the popularity of the Beatles. The Guild magazine "Associate News" is launched (now known as "NEWS"). Membership is opened up to Europe and Australia. The regional contest system was created, with those champions coming together to compete at the North American Invitational Championship. The largest National Contest ever was held in Cincinnati, OH with over 2,000 students.

1970's

AGM Student Council was formed to help get feedback from associates. Evaluations solos were added to the process to give members a chance to perform another solo division. The success of evaluations were such a success it lead to the addition of age solos, pop, and the test list solos. First female President of AGM – Myrtle Robertson was elected. In 1978 Great Lakes Regional was formed by the team of Walter Truszkowski, Joyce Lucido and Richard Chizmadia

1980's

The Great Lakes Regional Contest (GLR) grew rapidly and participants came from as far as Nebraska, Missouri and Quebec, Canada. The GLR tried many new ideas which were then implemented at Nationals, including Sight Reading, All Around, Age Finals, and, more.

1990's

Moving into the computer age to schedule the contest more efficiently, publish its newsletters and produce materials for membership. The GLR became the largest music competition in North American and peaked at 2000 students playing 5,000 events. Contests and content continue to evolve with new locations like Indianapolis and Toronto.

2000's and beyond

AGM launched its first website and online contest registration system. AGM continues to move forward in the new century with the launch of its new website and enhanced online contest registration. As times evolve, we plan on AGM evolving with them by meeting our members' and students' needs with the latest modern and technological resources available to continue our dedication to music and music education.


Join AGM

AGM membership dues help keep the organization running from day to day and cover admistration cost.  Join the American Guild of Music today.
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Exams

Coming in 2025

A New AGM Online Exam Program

The examination program is designed to make it easy to involve ALL of your students in a program that gives them a graphic demonstration that they are meeting or surpassing the standard for private music students suggested by the American Guild of Music.

Piano level 1 -6 guide lines to be published soon, 
Watch for more information
Other  piano levels and instruments to be added at a later date

For further information email: This email address is being protected from spambots. You need JavaScript enabled to view it.

Join Us

The American Guild of Music provides our independent music teacher members with opportunities to:

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Attract New Students

Through our online directory, parents from your area can easily find you – including the information you’ve provided highlighting your expertise and experience.

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Encourage Current Students to Continue Studies

Encourage Current Students to Continue Studies AGM’s events provide our members’ students with the chance to shine, while having fun – inspiring them to want to practice and achieve more. It is great incentive for continue learning and building skills.

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Find Camaraderie and Collaboration

As musicians and educators, we recharge our batteries by learning new pieces and techniques - then sharing what we’ve learned with our audiences and students. Our member community and events provide a support structure to enable you to continue to grow and shine – just like you enable your students!



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PO Box 599, Warren, MI 48090 | 248-686-1975